| Uncle Was a Vampire | |
|---|---|
![]() Italian theatrical release poster  | |
| Directed by | Steno | 
| Screenplay by | |
| Story by | 
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| Based on | an idea by Mario Cecchi Gori[1]  | 
| Produced by | Mario Cecchi Gori[2] | 
| Starring | 
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| Cinematography | Marco Scarpelli[1] | 
| Edited by | Eraldo Da Roma[1] | 
| Music by | 
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Production companies  | 
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| Distributed by | C.E.I.-Incom | 
Release date  | 
  | 
Running time  | 90 minutes | 
| Country | Italy[2] | 
| Box office | ₤ 385 million | 
Uncle Was a Vampire (Italian: Tempi duri per i vampiri, lit. 'Hard Times for Vampires'[3]) is a 1959 Italian comedy horror film, directed by Steno.[1]
Plot
Baron Osvaldo Lambertenghi is forced to sell his ancestral castle to pay his debts. The manor is ingloriously transformed into a frivolous hotel, and Osvaldo is allowed to continue to live there working as a bellhop.
One day Osvaldo receives a visit from his uncle, Baron Roderico da Frankurten, who turns out to be a real vampire. Osvaldo tries to warn the various guests of the hotel, with the only result being that he is taken for a madman.
Bitten by his uncle, Osvaldo will also turn into a vampire, but his beloved, Lellina, will also be able to free him from the curse.
Cast
- Renato Rascel as Baron Osvaldo Lambertenghi
 - Christopher Lee as Baron Roderico da Frankurten
 - Sylva Koscina as Carla
 - Kai Fischer as Lellina
 - Lia Zoppelli as Letizia
 - Franco Scandurra as Professor Stricker
 - Carl Wery as Director
 - Antje Geerk
 - Rik Van Nutter as Carla's fiancé
 - Susanne Loret as Susan
 - Mario Cecchi Gori as Civil law notary
 - Franco Giacobini
 
Production
Uncle Was a Vampire was Christopher Lee's first appearance in an Italian film production.[4]
Release
Uncle Was a Vampire was released in Italy on October 28, 1959 where it was distributed by C.E.I.-Incom. It grossed a total of 385 million lire in Italy.
The film was released in the United States in 1964 on television through Embassy Pictures.[2]
Reception
In his book Italian Horror Film Directors, Louis Paul described the film as "obviously modeled on the slapstick efforts of the comedies featuring the character Totò".[5]
