
Paul Burani
Paul Burani (born Urbain Roucoux; Paris, 26 March 1845 – Paris, 9 October 1901), was a French author, actor, songwriter and librettist.
He had a short career as an actor at the Théâtre de Belleville and in the French provinces, after which he directed a journal, Le Café-Concert. At the commencement of his career as a songwriter he used the name Burani, an anagram of his first name.
Works
He collaborated on libretti for the following operas:
- Le Droit du seigneur (with Maxime Boucheron), music by Léon Vasseur - 1878[1]
 - Le Billet de logement (with Boucheron), Vasseur - 1879
 - La Barbière improvisée (with Jules Montini), Joseph O'Kelly - 1882
 - Le Petit Parisien (with Boucheron), Vasseur - 1882
 - François les bas-bleus (with Ernest Dubreuil and Eugène Humbert), André Messager - 1883
 - Le Mariage au tambour (after Alexandre Dumas), Vasseur - 1886
 - Le roi malgré lui (with Emile de Najac), Emmanuel Chabrier - 1887[2]
 - Ninon de Lenclos (with Blavet), Vasseur, 1887
 - Le Puits qui parle (with Beaumont), Edmond Audran - 1888
 - Le Prince soleil (with Hippolyte Raymond), Vasseur - 1889
 - Le Commandant Laripete (with Silvestre, Valabrigue), Vasseur - 1892
 - Le Cabinet Piperlin (with Raymond), Hervé - 1897
 

La Reine des Halles at the Théâtre de la Comédie-Parisienne (1881)
Le Sire de Fisch Ton Kan was a popular song during the Paris Commune (1871), with words by Paul Burani and music by Antonin Louis, which denounced Napoléon III who was leading France to military disasters; the song contains many plays on words.[3]
References
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